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COLD WAVE III: EURO & SOVIET SCI-FI
THE CATHEDRAL OF NEW EMOTIONS 2006
On a shortlist with Eiichi Yamamoto’s BELLADONNA OF SADNESS and René Laloux’s FANTASTIC PLANET as one of the most surreal, psychedelic and truly cosmic animated features ever made, German director Helmut Herbst’s utterly insane THE CATHEDRAL OF NEW EMOTIONS follows a commune of Berlin stoners and intellectuals who get set adrift in space in 1972 in a packing container clutched in a giant flying hand. Various space flotsam smashes into the windshield – enormous insects, Mighty Mouse, a Bird Man from “Flash Gordon” – while hypnotic Krautrock drones in the background moaning “Where am I??”, and a naked man bounces up and down off a massive red pepper. So begins our descent down the psychotic rabbit hole of CATHEDRAL, a true hallucinogenic Space Freakout if there ever was one: imagine Ralph Bakshi animating an R-rated version of John Carpenter’s DARK STAR, or the cartoon equivalent of Can’s “Ege Bamyasi” or Pink Floyd’s “Astronomy Domine.”
Thursday, January 2
Director: Helmut Herbst​
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Runtime: 60 min., Germany
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Language: German w/ English subtitles
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Director: Georgiy Daneliya​
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Starring: Stanislav Lyubshin, Levan Gabriadze
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Runtime: 135 min., USSR
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Language: Russian w/ English subtitles
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KIN DZA-DZA! 1986
Imagine Andrei Tarkovsky circa SOLARIS directing Douglas Adams’ The Hitchhiker’s Guide to the Galaxy and you’ll come close to the existential weirdness of the wonderfully loopy Soviet-era sci-fi comedy KIN-DZA-DZA! Two average Muscovites – a plainspoken construction foreman (Stanislav Lyubshin) and a Georgian violin student (Levan Gabriadze) – encounter an odd homeless man on the street who asks, “Tell me the number of your planet in the Tentura?” In a flash, they’re teleported across the universe to the planet Pluke in the Kin-Dza-Dza galaxy – a Tatooine-like desert world whose inhabitants are hilariously noncommunicative (their main words are “ku” for good and “kyu” for very bad) and where common wooden matches are tremendously valuable. A deadpan, absurdist mixture of Kurt Vonnegut, Monty Python, Samuel Beckett and Jodorowsky’s never-made Dune where alien cultures are even more haphazard and WTF? than our own, the film is also a savage satire of bureaucratic idiocy and dysfunction no matter what political system you’re living under – or what planet you’re living on. Recently restored by Mosfilm for its first-ever U.S. release by Deaf Crocodile. In Russian with English subtitles.
Thursday, January 16
KAMIKAZE '89 1982
Fassbinder’s final acting role casts him as an alcoholic police lieutenant – clad in a leopard-skin suit, no less – who istasked with foiling a bomb threat in West Germany’s near future. Adapted by Gremm and Robert Katz (THE CASSANDRA CROSSING) from Per Wahlöö’s 1964 dystopian novel “Murder on the 31st Floor,” KAMIKAZE ‘89 imagines a totalitarian society ruled by a corporation called The Combine, which controls the media and suppresses all murmurs of dissent or unhappiness. Featuring legendary spaghetti Western icon Franco Nero (Django) as a journalist and Ali: Fear Eats the Soul star Brigitte Mira (in her last collaboration with Fassbinder) as a director of personnel, KAMIKAZE ’89, like the concurrent BLADE RUNNER, paints a dystopian vision of the future, albeit one that is a madcap romp through the West Berlin punk scene.
Thursday, January 23
Director: Wolf Gremm​
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Starring: Rainer Werner Fassbinder, Günther Kaufmann, Boy Gobert
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Runtime: 106 min., Germany
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Language: German w/ English subtitles
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O-BI, O-BA: THE END OF CIVILIZATION 1985
What remains of mankind post–nuclear apocalypse is confined to a squalid underground bunker where survivors toil desperately to uphold the last vestiges of civilization. They are spurred on by their fervent belief in a fabled Ark that will deliver them from their living hell—a myth propagated by the powers that be, and spread, in part, by the increasingly disillusioned Soft (Jerzy Stuhr) as he attempts to stave off total collapse. Working in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable about the false promises of politics and religion that plays out like a Sisyphean journey into madness.
Thursday, January 30
Director: Piotr Szulkin​
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Starring: Jerzy Stuhr, Krystyna Janda, Kalina Jędrusik
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Runtime: 89 min., Poland
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Language: Polish w/ English subtitles
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